Showing posts with label Ranked. Show all posts
Showing posts with label Ranked. Show all posts

Top 14 Vampire Flicks

This article originally appeared on Culture Brats on October 5th, 2010. But we're bringing it back (along with a few others) to get you ready for Halloween!

Buffy The Vampire Slayer
Photo Credit: Wikipedia
For this week's Ranked!, we decided to rate our favorite vampire flicks. Did your favorite make our list? Find out below!

14. Let The Right One In

13. 30 Days Of Night

12. From Dusk Till Dawn

11. Shadow Of The Vampire

10 Vampire's Kiss

9. Buffy The Vampire Slayer

8. Near Dark

7. Underworld

Top 20 Albums Of 1993

For this week's Ranked!, we ranked our favorite albums of 1993. Did we get it right? Let us know in the comments!

20. Goo Goo Dolls, Superstar Car Wash

Goo still plays a song or two from this live, as a surprise to the diehard fans. One of my best friends and I totally freaked at a concert when they launched into their more hardcore songs from this album, and the performance was awesome. This was such a cool album for fans, because the guys were still pretty hardcore rockers, but brought on some more understandable lyrical work. Their evolution musically has been so cool, growing with fans and somehow maintaining their roots, and I think this was a pivotal point in that long career. There are few albums I write up on for these lists that I immediately want to go back and listen to at that moment, but trust me, on this one I'm heading right for the CD player.--J-Hawke

19. Flaming Lips, Transmissions From The Satellite Heart

The Flaming Lips have always been a strange and fearless band with demented lyrics and genuinely original ideas. Sometimes that mix would result in a misfire, other times it would blend together beautifully, creating powerful musical stew. This album (their SIXTH!) was the one that sold me on the band and made me a lifelong disciple of Wayne Coyne and company. It contained the radio friendly "She Don't Use Jelly" which, when you think about it, should have been on a censor's hit list, and a lovely cover of Ed Rush's "Plastic Jesus." It's the go-to record I recommend for anyone looking to take a first listen to the band before dragging them dressed as a gargantuan white bunny to one of their concerts.--Dufmanno

18. Sarah McLachlan, Fumbling Toward Ecstasy

This is one of those albums that I wore out on my 5-disc CD changer back in college. I think my favorite track, because it's gorgeous, is the first song, "Posession," partly because it's misunderstood. I remember at the time gals at school were talking about it being a nice love song but sorry drunk college girls, it's sung from the point of view of a guy stalking Sarah, based on her experiences with a kind of crazed fan. In fact, she got SUED by a stalker because he claimed she used his crazy letters as the basis for the song. The legal case went nowhere because the stalker killed himself. True story.--Archphoenix


17. Mariah Carey, Music Box

I got into Mariah Carey because my older cousin, who I thought was sooo cool, was a big fan. When I started buying CDs, I tried to complete a whole catalog of her music (I still haven't, sadly). However, I did manage to secure Music Box, her 1993 release. The two singles that stand out in particular to me are "Dreamlover" and "Hero," though I know there were two more ("Without You/Never Forget You" and "Anytime You Need a Friend"). "Dreamlover" was fun though, and "Hero" was inspiring. I remember the resurgence of the song during 9/11, and that is just a song that is forever lovely. The album, as a whole, is seen as among her most mellow work, but I have to say that I love this side of Mariah. She's classy here, and shows people a lyrical side of her as opposed to just a beauty with an incredible vocal range. There's a real, respectable young lady there and Music Box really took her to a different place in her career.--J-Hawke

16. New Order, Republic

New Order's Republic is largely known for its in-fighting during the recording sessions—hence its widely mixed reviews—but readers should be reminded of the fact that Fleetwood Mac's brilliant and inspired album Rumours was riddled with backstage conflict, as well as The Beatles' Let It Be (which also garnered varied opinions, but eventually received recognition as #392 in Rolling Stone's 2012 list of "The 500 Greatest Albums Of All Time"). It is perhaps during these moments of turmoil that brilliant artists are able to channel that negative energy and leave us with something deeply human and frighteningly relatable. Republic's first single "Regret" appears, on the surface, to lack the tenebrous mark of many previous New Order songs. Rather, it has a carefree John Hughes-like quality—Hook's bass ever present, Sumner's voice lighter and livelier—though not without that muted color palate, which suggests a tone of concession and (appropriately) regret. It's not often you'll find a band continue to evolve after ten years of major success (not including their many years as Joy Division). Too often we see aged musicians idle in their artistic output, producing the same album over and over, eventually staling on stage and falling out from the public eye, not because of backstage turmoil but because of a refusal or an inability to grow. In Republic, New Order rises to the occasion. Songs like "World" and "Young Offender" introduce us to a more modern danceable version of their previous work, and others like "Special" and "Everyone Everywhere" continue to give us the stronger yet more subtle qualities of Sumner's voice that we've all come to love. It's not hard to understand why Republic is one of our Top 20 Albums of '93. It is, in fact, one of New Order's best.--Jacqueline

Top 20 Albums Of 1992

We've done the '80s, so we're turning our attention to the '90s!

For this week's Ranked!, we decided to rank our twenty favorite albums released in 1992. Did we get it right? Let us know in the comments.

20. Stone Temple Pilots, Core

Stone Temple Pilots are the Rodney Dangerfield of grunge. Despite the fact that the band had five Top 40 hits and won a Grammy, an AMA, and a VMA, Stone Temple Pilots never received the respect that bands like Nirvana, Pearl Jam, and Soundgarden did. This is the album that introduced them to the world and boasted greatest-hit worthy tracks like "Sex Type Thing," "Wicked Garden," "Creep," and "Plush." Personally, I'd rather listen to STP than Pearl Jam.--Chris

19. Nirvana, Incesticide

In the aftermath of Nevermind, all things from Seattle seemed perfect and cool (except my beloved Seahawks, of course). You could sense the music industry dumping the last of the detritus onto the market as it desperately groomed Nirvana soundalikes like Sponge and Bush. In that brief period, Nirvana reminded everyone why they were relevant in the first place with Incesticide, a collection of demos and other songs previously only available in the fan community. Releases like that are usually crappy cash-ins, but this album is as visceral and stunning as the rest of Nirvana's catalog. As far as I'm concerned, some of Nirvana's very best songs are here, particularly the magnificent "Sliver" and "Aneurysm." It's an essential document of the early years of grunge, and rocks so hard it will make your ears bleed.--CroutonBoy

18. Erasure, Abba-esque

It's the ultimate in cheese--Erasure covering ABBA--and I freaking love it. The whole album is on my housecleaning playlist because you can't NOT dance to the thing. It even makes mopping the floors fun.--Archphoenix

17. Alice In Chains, Dirt

1991 saw the birth of grunge, and 1992 brought it to the mainstream. And one band that wasn't technically "grunge" but still benefited from the return-to-rock movement was Alice In Chains. Led by guitarist and Jerry Cantrell and the haunting vocals of Layne Staley, Dirt was Alice In Chains' biggest-selling album and brought us songs like "Them Bones," "Rooster," and "Would?," which can also be found on the Singles soundtrack (which shows up a little later on this list).--Chris

16. Various Artists, The Bodyguard Sountrack

Every girl between the ages of 8 and 28 had this album when it came out. It's literally the best-selling soundtrack ever and went 17 times platinum. It made Whitney the first ever to sell a million copies of an album in a single week. EVER. And that Dolly Parton cover is amazing. Admit it, you belted it out in the shower. It's ok, we all did.--Archphoenix

Top 20 Albums Of 1991

We've done the '80s, so we're turning our attention to the '90s!

For this week's Ranked!, we decided to rank our twenty favorite albums released in 1991. Did we get it right? Let us know in the comments.

20. Gloria Estefan, Into The Light

I remember vaguely being a really big Gloria fan when I was younger. Now, while I can't necessarily remember all of her songs, I do remember consistently feeling happy whenever they came on. This particular album resonates even later on because of the emotion she managed to put into it. Her famous and tragic accident during the Get On Your Feet Tour prompted the theme of this album: coming back from the darkness of a disaster. "Coming Out Of The Dark" is the obvious big one from it, and throughout she still stays very proud and strong in her roots of Latin music. This is a strong woman, who of course has only managed to get more admirable with time.--J-Hawke

19. KLF, The White Room

The White Room is a pretty terrific album. It was a kind of the introduction to the '90s electronic music subculture. It's part new wave, part punk rock, and all kinds of electronic party rave. It was a crazy artistic political statement album and it's pure stadium anthem sound. We still listen to this album regularly at my house.--Archphoenix

18. Teenage Fanclub, Bandwagonesque

Back in '91, I was a DJ at a small college radio station. One of the albums that received heavy play from me that year was Bandwagonesque and, in particular, "What You Do To Me," a song so awesome and Big Starish you really expect to see Alex Chilton behind the mic in the video. I loved this album so much it eventually led to the CD receiving a big "CHRIS CAN NOT PLAY THIS" sticker on the jewel case from my tiny and bossy station manager.--Chris

17. Temple Of The Dog, Temple Of The Dog

How huge was grunge in '91? So huge that a tribute album, a genre generally sent directly to the used section of the CD store, became a massive hit. Temple Of the Dog definitely benefited from its pedigree, a supergroup stitched together from Soundgarden and Pearl Jam honoring a member of Mother Love Bone. But it also had a killer tracklist easily on par with any Soundgarden or Pearl Jam album. In some ways it holds up better than the early albums of those bands, having never suffered the degree of overexposure they did (with the possible exception of "Hunger Strike"). Listening to it today can conjure up nostalgia for the glory days of grunge while still delivering the energy and raw power those bands could unleash back in the day, and rests comfortably in the Seattle pantheon next to Nevermind, Ten, and Badmotorfinger.--CroutonBoy

16. Public Enemy, Apocalypse 91... The Enemy Strikes Black

Public Enemy in the late '80s and early '90s was unstoppable. Their assault was relentless, their lyrics were raw and unapologetic, and their music and rhythm had a depth that few (if any) rap groups could approach. Apocalypse '91: The Enemy Strikes Back continued and combined the aggressive thrust of their previous two efforts, It Takes A Nation Of Millions and Fear Of A Black Planet, and further refined it for their suddenly huge, multi-colored audience. Public Enemy was a force of nature by 1991, and hard-charging songs like "Shut 'Em Down," "Can't Truss It," and "I Don't Wanna Be Called Yo Nigga" showed they were still angry and unwilling to back down from what they saw and believed. Add to that the brilliant crossover "Bring Tha Noize" featuring Anthrax, which showed that the frustration and disillusionment of urban black youth and suburban white youth had the same roots, and you've get one of the greatest rap albums of all time.--CroutonBoy

Top 20 Albums Of 1990

We've done the '80s, so we're turning our attention to the '90s!

For this week's Ranked!, we decided to rank our twenty favorite albums released in 1990. Did we get it right? Let us know in the comments.

20. The London Quireboys, A Bit Of What You Fancy

A Bit Of What You Fancy was the debut album from The Quireboys, or The London Quireboys as they were known in the U.S. It was a dozen hard-rockin' tunes that came out during the last dying days of hair metal. The Quireboys had a bluesy feel to them, not unlike Cinderella, but sounding closer at times to Faces. Some of the best songs on the album were "7 O'Clock," "Sweet Mary Ann," "Hey You," and "I Don't Love You Anymore," a ballad that still kicks ass.--Chris

19. Various Artists, Pretty Woman Soundtrack

My mom was pretty strict about me being the right age to see movies so when Pretty Woman came out with its hookers and R rating, my mom firmly said no. Then I went to visit a good friend who'd moved to Omaha and HER mom said, "Shh, don't tell your mom." And then kinda regretted that during the sex on the piano scene. Every girl I knew ran to grab that soundtrack. With the title song and an epic Roxette song, it was in pretty heavy rotation at my house for a good long time.--Archphoenix

18. Warrant, Cherry Pie

If you were doing a term paper on hair metal (shut up, it could happen) and were looking to find a video that truly represented the genre, you'd be hard pressed to find a better example than the video to Warrant's "Cherry Pie." The video, starring Bobbie Brown (who has been in numerous hair band videos), showed the band acting goofy, dressed in the uniform of the day: spandex, leather, and bandannas. Bot the video and song were blatantly sexual unapologetically dumb. And freaking awesome. R.I.P. Jani Lane. R.I.P. hair metal.--Chris

17. Wilson Phillips, Wilson Phillips

This is one of those albums that people are ashamed to admit they like but you know what? You shouldn't be ashamed. This album made Wilson Phillips the best-selling female group of all time. It spawned three #1 songs. And it had three talented young women who were the daughters of some pretty amazing musicians (Brian Wilson of the Beach Boys and John & Michelle Phillips of the Mamas and the Papas). They had the pedigree, the vocal talent, and I still think Chynna's short hair is one of the cutest hair cuts ever. This album rocks, don't let anyone tell you otherwise.--Archphoenix

16. Green Day, 39/Smooth

You can almost hear the highway rumbling overhead in the background of 39/Smooth, Green Day’s quickly recorded debut album. But you can also hear something special in the works. Songs like "Rest" and "Going To Pasalaqua" display a melodic sensibility quite advanced for a bunch of high school kids. "I Was There" is so much fun to sing that it will never leave your head, while "16" holds up a mirror to teenage life and makes the crazy things it finds there better. When you start out that well, it’s not hard to imagine selling out stadiums later.--Amanda

Top 20 Movies Of 1983 (Nos. 1-5)

For this week's Ranked!, we decided to rank our favorite movies from 1983. Did we get it right? Let us know in the comments!

Here are Nos. 1-5:

5. Trading Places

Trading Places is a comedy that gets everything right: from the pitch perfect teaming of Eddie Murphy and Dan Aykroyd to a stellar secondary cast to director John Landis at the top of his game. There's so much to love about this movie that it's hard to pick out favorite moments. But the indelible image from the movie (outside of Jamie Lee Curtis's topless scene) is Eddie Murphy scooting around, trying to con anyone and everyone. 48 Hrs. might have made Eddie Murphy a movie actor, but Trading Places made him a mega star. Trading Places isn't just a classic '80s movie, it's one of the best comedies ever.--Daddy Geek Boy

Top 20 Movies Of 1983 (Nos. 6-10)

For this week's Ranked!, we decided to rank our favorite movies from 1983. Did we get it right? Let us know in the comments!

Here are Nos. 6-10:

10. The Meaning Of Life

The timeless absurdity of Monty Python was honed to a sharp point by the time The Meaning Of Life came out in 1983. The Pythons always had an innate ability to step back and see the ridiculousness of human behavior and take it to its silliest extremes, and given a decent budget they did not hold back. It's justly remembered for the greatest vomit scene in movie history ("Better get a bucket. I'm going to throw up") and the Catholic theme song "Every Sperm Is Sacred," but there are a million moments in the movie that are not only laugh-out-loud funny but useful lessons for my daily life. I always ask doctors if they have "the machine that goes 'PING!'" especially if I've just eaten the salmon mousse. I've never filled out a liver donor card, and I also think people don't wear enough hats. Most importantly, I'm often warned of the importance of a kiss before I "stamped towards the clitoris." You see, movies can be educational, too!--CroutonBoy

Top 20 Movies Of 1983 (Nos. 11-15)

For this week's Ranked!, we decided to rank our favorite movies from 1983. Did we get it right? Let us know in the comments!

Here are Nos. 11-15:

15. Octopussy

There are few who would argue that Roger Moore's later James Bond films were among the best. But a Bond film is a Bond film, and you can always depend on the world's greatest secret agent to provide gorgeous women, killer chase scenes, and over-the-top villains. Octopussy slips into the Bond canon with the comfort of a perfectly tailored tux, saving the world from nuclear terrorists and circus knife-throwers (of course!), and throwing himself safely off airplanes just before they crash. I'm James Bond, bitch! The Cold War intrigue may be a little dated and the lead actor a little creaky, but you can't deny that Octopussy gives its all for the spy movie fan.--CroutonBoy

Top 20 Movies Of 1983 (Nos. 16-20)

For this week's Ranked!, we decided to rank our favorite movies from 1983. Did we get it right? Let us know in the comments!

Here are Nos. 16-20:

20. Christine

Christine is about a murderous, jealous, '50s-music loving... car. Yes, like with a lot of horror movies, one needs a heavy dose of suspension of disbelief to enjoy this film. But if you can get past the fact that a '58 Plymouth Fury loves and will do anything for her teenage owner (even kill his tormentors), you're in for one hell of a ride.--Chris

Top 100 Albums Of The '80s (Nos. 1-10)

For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 1-10:

10. U2, The Joshua Tree

U2's The Joshua Tree was actually the band's fifth album, but it's the one that made U2 one of the biggest bands in rock history. It's practically a greatest hits album now because so many of the songs off the album are so key to the U2 catalogue. It's one of the best selling albums of all time, and deservedly so, because even 25 years later it still holds up. Yes, there are some U2 albums that I like more now, but "Joshua Tree" is the cool old guy that you still invite to dinner.--Archphoenix

Top 20 Albums Of The '80s (Nos. 11-20)

For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 11-20:

20. Madonna, Like A Prayer

Rolling Stone hails this one "as close to art as pop gets." The range on the this album really is incredibly done by this icon. Even close to twenty years later, everyone understands the power of Madonna. Tracks like "Express Yourself" empower us, while videos for songs like "Like A Prayer" make us think (or riot, depending on what side of the fence you're on). The tour that followed, The Blonde Ambition Tour, is even still hailed as one of the best ever. Madonna can do so much right and wrong and still achieve so much greatness, there's no way an album of hers can be left off of a top list!--J-Hawke

Top 100 Albums Of The '80s (Nos. 21-30)


For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 21-30:

30. Violent Femmes, Violent Femmes

Even though Violent Femmes wasn't a big hit at the time of its release, you cannot deny its place in popular culture. It is partially responsible for the acceptance of "alternative" or "college" music. And I don't care when you attended, you can't tell me Violent Femmes wasn't the official soundtrack to one or two of your favorite college memories.

And how could it not? Pound for pound, Violent Femmes is the most solid disc on this list. There's no filler at all on this album. In fact, you'd be hard pressed to name an album that has a stronger four-track start than the Violent Femmes' "Blister In The Sun," "Kiss Off," "Please Do Not Go," and "Add It Up."--Chris

Top 100 Albums Of The '80s (31-40)


For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 31-40:

40. Phish, Junta

Who would have guessed that Phish, of all bands, would turn into the cultural behemoth it has become?  At the time I wouldn't have picked Vermont's greatest export as anything more than a college band with a quirky sound, but the roots of their future greatness are on brilliant display on Junta.  In fact, I'd argue that Junta is actually one of Phish' most accessible albums, owing largely to quirky but relatively digestible tunes like "Esther," "Fluffhead," and "Fee," the latter being one of my favorite songs of all time.  That doesn't preclude them from some of the experimental indulgences that have come to define their career.  "The Divided Sky" clocks in at a cozy 12 minutes and "Union Federal" is over 25 minutes, conjuring images of Spinal Tap's "Jazz Odyssey" phase.  But they never cease to be anything but fun, spinning a party platter that meanders from groove to groove, punctuated by moments that make you say, "Wait, rewind that. I want to hear that part again."  God knows there's a lot of Phish music out there to listen to (cloud-computing was invented to store their bootlegs), but if you're a casual listener who might want to check Phish out, Junta is where I would start.  It's where I did.--CroutonBoy

Top 100 Albums Of The '80s (Nos. 41-50)


For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 41-50:

50. Ramones, End Of The Century

Some point to End Of The Century as the beginning of the downfall, as the End Of The Ramones, but for me it was their last great album. Phil Spector produced the album, which featured songs a minute or so longer than the usual Ramones fare. But you still got classics like "Do You Remember Rock 'N' Roll Radio?," "Danny Says," "Chinese Rock," and "Rock 'N' Roll High School."--Chris

Top 100 Albums Of The '80s (Nos. 51-60)


For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 51-60:

60. Adam Ant, Friend Or Foe

I loved Adam Ant and Friend Or Foe was by far his crowning achievement. With its sexed-up music video, "Goody Two Shoes" (the first of only two US Top 20 singles for Ant) led the way for Friend Or Foe's success. But don't think this album was a one-trick pony. You also had a cover of The Doors' "Hello, I Love You," as well as the excellent "Place In The Country" and "Desperate But Not Serious." But the main standout on the album is my favorite Adam Ant song of all time, "Friend Or Foe," the ultimate bite-me-if-you-don't-like-me track.--Chris

Top 100 Albums Of The '80s (Nos. 61-70)

For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 61-70:

70. The Who, Who's Last

I've written many times about how I discovered many of my favorite classic rock bands through their '80s work and then worked my way back through their catalogs to hear their earlier stuff. In the case of The Who, my task of discovering their classics was pretty easy. After Face Dances (1981) and It's Hard (1982) got me interested, the band decided to break up after doing a farewell tour (the first of many). The result was Who's Last which, for me, served as an excellent live introduction to classic Who, with 17 tracks that spanned pretty much their entire career. Although it's not always the case when I buy a greatest hits-type collection, Who's Last whet my appetite for more classic Who, and started me on a buying spree of Who albums so that I could hear what else they had to offer. If you're a fan of the band and you never got a chance to see them live (which I did, twice), you should really pick up Who's Last. It's the next best thing to being there.--Dave

Top 100 Albums Of The '80s (Nos. 71-80)

For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 71-80:

80. Indigo Girls, Indigo Girls

Two chicks, two acoustic guitars, and killer blended harmonies. For a girl who was doing a lot of singing at the time, this album was pretty extraordinary. I listened to it the other day and I still wanted to sing along. Fun fact: this album got the Indigo Girls nominated for the Best New Artist Grammy, which they lost to... Milli Vanilli. (You know, the Grammy was later revoked when it came out that they didn't actually sing.)--Archphoenix

Top 100 Albums Of The '80s (Nos. 81-90)

For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 81-90:

90. ZZ Top, Eliminator

Without question, the hottest car on the road in 1983 was made 50 years earlier. The iconic 1933 Ford Coupe that graced the cover of Eliminator and served as a chariot for hot women on MTV was easily the coolest thing on wheels and no keychain was complete without a shiny "ZZ" hanging from it. You wouldn't think three dude with Rip Van Winkle beards would become music video celebrities, but you cannot discount the awesome hat trick of "Gimme All Your Lovin'," "Sharp Dressed Man," and "Legs." Although those are the songs most people remember best, the rest of the album is all killer and no filler, packed to the brim with stunning Texas boogie like "Dirty Dog," "I Got the Six," and my personal favorite, "You Got Me Under Pressure." I'd still hop in that Ford Coupe if it pulled up in front of my house without hesitation. Wherever it's going is someplace I'd want to be.--CroutonBoy

Top 100 Albums Of The '80s (Nos. 91-100)

For this week's Ranked!, we've got one of our most epic editions ever: the Top 100 Albums Of The '80s. Did we get it right? Let us know!

Here are Numbers 91-100:

100. Social Distortion, Mommy's Little Monster

I love a good debut album. It's the music you play when nobody is watching, before the pundits and pigeonholes set in. Mommy's Little Monster announced Social Distortion to the world as a tough-talking punk band with a straightforward attack. Yet there's skill behind that raucous noise; the guitar in "Hour Of Darkness" is proof.

What's really interesting is that the evolution to their signature sound had already begun. It would be another album before they nailed it, but stronger melodies are emerging, along with a little bit of country twang. "Another State Of Mind" is the first sign of the heart of gold that has always lurked beneath Mike Ness's rough edges.

1983 was a weird year for punk. Into The Unknown saw Bad Religion go pretty badly awry, while the Clash were slowly falling apart. Mommy's Little Monster had no such issues. It was loud, obnoxious and all kinds of fun.--Amanda

Top 20 Albums Of 1989 (Nos. 1-5)

For this week's Ranked!, we completed our look back at the '80s with our our twenty favorite albums released in 1989. Did we get it right? Let us know in the comments!

Here are numbers 1-5:

5. Motley Crue, Dr. Feelgood

This album is just a fantastic album from start to finish. It was also the real end of the greatness of the Crue - Vince Neill left the band (or got fired, depending on who you talk to) after the album and the rise of grunge kind of killed metal. It's a shame because this is certainly the best album that Motley Crue ever put out. And now I have the title track firmly lodged in my head. Anyone else?--Archphoenix