Showing posts with label 1991. Show all posts
Showing posts with label 1991. Show all posts

Top 20 Albums Of 1991

We've done the '80s, so we're turning our attention to the '90s!

For this week's Ranked!, we decided to rank our twenty favorite albums released in 1991. Did we get it right? Let us know in the comments.

20. Gloria Estefan, Into The Light

I remember vaguely being a really big Gloria fan when I was younger. Now, while I can't necessarily remember all of her songs, I do remember consistently feeling happy whenever they came on. This particular album resonates even later on because of the emotion she managed to put into it. Her famous and tragic accident during the Get On Your Feet Tour prompted the theme of this album: coming back from the darkness of a disaster. "Coming Out Of The Dark" is the obvious big one from it, and throughout she still stays very proud and strong in her roots of Latin music. This is a strong woman, who of course has only managed to get more admirable with time.--J-Hawke

19. KLF, The White Room

The White Room is a pretty terrific album. It was a kind of the introduction to the '90s electronic music subculture. It's part new wave, part punk rock, and all kinds of electronic party rave. It was a crazy artistic political statement album and it's pure stadium anthem sound. We still listen to this album regularly at my house.--Archphoenix

18. Teenage Fanclub, Bandwagonesque

Back in '91, I was a DJ at a small college radio station. One of the albums that received heavy play from me that year was Bandwagonesque and, in particular, "What You Do To Me," a song so awesome and Big Starish you really expect to see Alex Chilton behind the mic in the video. I loved this album so much it eventually led to the CD receiving a big "CHRIS CAN NOT PLAY THIS" sticker on the jewel case from my tiny and bossy station manager.--Chris

17. Temple Of The Dog, Temple Of The Dog

How huge was grunge in '91? So huge that a tribute album, a genre generally sent directly to the used section of the CD store, became a massive hit. Temple Of the Dog definitely benefited from its pedigree, a supergroup stitched together from Soundgarden and Pearl Jam honoring a member of Mother Love Bone. But it also had a killer tracklist easily on par with any Soundgarden or Pearl Jam album. In some ways it holds up better than the early albums of those bands, having never suffered the degree of overexposure they did (with the possible exception of "Hunger Strike"). Listening to it today can conjure up nostalgia for the glory days of grunge while still delivering the energy and raw power those bands could unleash back in the day, and rests comfortably in the Seattle pantheon next to Nevermind, Ten, and Badmotorfinger.--CroutonBoy

16. Public Enemy, Apocalypse 91... The Enemy Strikes Black

Public Enemy in the late '80s and early '90s was unstoppable. Their assault was relentless, their lyrics were raw and unapologetic, and their music and rhythm had a depth that few (if any) rap groups could approach. Apocalypse '91: The Enemy Strikes Back continued and combined the aggressive thrust of their previous two efforts, It Takes A Nation Of Millions and Fear Of A Black Planet, and further refined it for their suddenly huge, multi-colored audience. Public Enemy was a force of nature by 1991, and hard-charging songs like "Shut 'Em Down," "Can't Truss It," and "I Don't Wanna Be Called Yo Nigga" showed they were still angry and unwilling to back down from what they saw and believed. Add to that the brilliant crossover "Bring Tha Noize" featuring Anthrax, which showed that the frustration and disillusionment of urban black youth and suburban white youth had the same roots, and you've get one of the greatest rap albums of all time.--CroutonBoy