The Michael J. Fox Show Will Be The Best New Show On Network TV

Or is it just me?

I'm Watching These Three New Comedies And So Should You

Comedy is king right now. With the anticipated return of Arrested Development, Saturday Night Live finally finding the season's groove, and some of the top-rated shows as comedies, there's never been a better time to be funny! Recently, three new and/or upcoming comedies have caught my attention.

Your Pretty Face Is Going To Hell

One of the things going for this show is that it airs on Adult Swim, already home to much sublime shows as Childrens Hospital and NTSF:SD:SUV::. Adult Swim has had the genius idea of producing comedies that are only fifteen minutes, and although you don't get a lot of time with the show, it almost guarantees that it can be funny as there's no filler and nothing to be dragged out. Your Pretty Face Is Going To Hell follows the daily happenings of Gary, an associate demon in hell along with his horned and bespectacled intern, Claude.

Already on its own, the premise is funny: even in hell, the workplace is an Office Space type of monotony. In the first episode, Gary and Claude's task is to convince a baseball player to start praying to Satan instead of God. One thing I will need to adjust to is the gag-worthy premise that these hell underlings for some reason have to spend time with their faces in the urinal and toilet of the big boss, Satan himself. But a little (literally) potty humor is expected.  

Pod-Fascination: Go Bayside!

Go Bayside!
If you were a kid of the 1990s, it was hard not to watch Saved By The Bell. Not only was it a Saturday morning staple, but after it was syndicated I think it aired eight times a day. Why did we continue to watch this show even though the gags were trite at best and much of what happened literally defied the laws of physics?

Comedian and uber-fan April Richardson has no shame about her love for the show. On each episode of Go Bayside!, she and a guest watch the show and guffaw at its absolute implausibility and buffoonery. April gets to the important questions, such as:

1. Why is Mr. Belding the only adult that seems to be around, and why does he inappropriately get involved in the kids' lives?
2. Despite there being an entire school of kids, why does everything happen to just the main characters?
3. Why do school functions always take place in The Maxx, a privately owned restaurant?
4. Why does this show shit on nerds so much? Have they heard of bullying?
5. Why is Kelly merely portrayed as a trophy girlfriend of Slater and Zack?
6. What in the world are these kids wearing?
7. How do these kids have so much time in the hall between classes?
8. How does Screech single-handedly build a sentient, fully-functioning robot that lives in his room, and NASA hasn't recruited him?
9. How old is Slater really?
10. Why do dream sequences need a hazy pink border around the scene?

Sure, lesser people would just sit back and enjoy the show fondly and not care about the impossibilities, but April Richardson is doing important work. Her infectious laugh and sincere rage over the rampant child endangerment are hard not to love. Some guests have never seen the show, which makes for an even more befuddled reaction.

April is doing the show in chronological order and at the time of publication is on episode thirteen. There are eighty-six episodes of the show, not to mention the College Years and the TV movies, so she'll be in business for several years at this point. Which is good news to me, because yelling "WTF!" at a Saved By The Bell episode never gets old.

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Ranked!: Top 10 High School TV Shows

For this week's Ranked!, we're taking a look at our ten favorite high school tv shows. What was your favorite? Let us know in the comments!

10. My So-Called Life

When this show premiered in the mid '90s, people weren't quite sure what to make of it. The most popular high school show before it had been Beverly Hills, 90210. And the two shows couldn't have been more different. Sure, those fancy-zipcode kids dealt with "real" issues (teen pregnancy, drugs, yaddah yaddah yaddah), but main character/angsty princess Angela Chase, played with raw sweetness by Claire Danes, actually felt things. She was one of the first teenagers on TV who seemed so real, you'd swear you saw her in the halls at your own school, hugging the walls between classes.

Angela's teenage adventures were served up with real pathos. She did what kids did and still do: told her parents everything but how she was actually feeling. Dyed her hair and felt it was an act of extreme rebellion. Snuck out at night, and felt bad later. Pined for the beautiful blue-eyed boy in class.

My So-Called Life has aged extremely well. It still holds up, maybe because some things about adolescence simply do not change. Watch it and see. Just be prepared to have your heart broken several times when you do.--Didactic Pirate

9. Smallville

Because it lasted for ten seasons, Smallville obviously didn't spend its entire existence as a high school show, but it did start out that way. Depending on your point of view, Smallville was either Dawson's Creek with super powers, or The Adventures Of Superman under the effects of Teen Angst Kryptonite. One of its most effective aspects in the first few seasons was that it dealt with all of the typical problems of high school and puberty that everybody faces and showed you how much more difficult those problems are if you happen to be from Krypton and all of your super powers started developing along with everything else. (The episode where Clark's infatuation with a sexy substitute teacher causes him to inadvertently discover his heat vision is classic.)

Obviously, the show evolved along with the characters. Arguably (after a rough patch around Season 6), the show evolved into a much better superhero show. But it also lost its original focus a bit: exploring Clark Kent's life before he becomes the world's greatest superhero, and how his close friendship with Lex Luthor turned into one of the greatest rivalries in comic book history. Sure it got a little sappy and soap opera-y... but, for its first few seasons, Smallville was definitely one of the most unique high school shows ever made.--Dave

8. Daria

I would've loved to have dated Daria in high school. Partially because I've never gone out with an animated character before, but mostly because I know we could've been great friends. She was sarcastic, witty, and intelligent and could see her high school classmates and the cliques around her for what they really were. I wish some network would show reruns of this show. Even though it's been a long time since high school, I can still relate to Daria.--Chris

7. 21 Jump Street

It's hard to believe, but the FOX network has only been around for twenty-five years. Along with Married... With Children and three years later, The Simpsons, 21 Jump Street brought a new network to the eyes and ears of the American public. 21 Jump Street was about a bunch of baby-faced cops forced to go undercover at area high schools to deal with drug dealers, gangs, cults, and even murder. It was a little over-the-top, a little heavy-handed, and at times laughable, but damn it, it was our cop show. Hell, it even begat a spinoff, Booker. And of course, it also launched the careers of Holly Elizabeth Robinson Peete and Johnny Depp. God, why can't they show reruns of this as well?--Chris

6. Glee

Glee is, at the same time, one of the most accurate portrayals of high school life and one of the most outlandish.

I have to admit that what first drove me to watch this show was the singing. I'm not a fan of all musicals--I find the sappy '50s musicals like Oklahoma and Carousel intolerable--but I've always felt that life might be a little more fun if everybody spontaneously broke into song 2-3 times a day. Nothing clears the head and gets the blood pumping like a good production number! And that's exactly how it is at William McKinley High. Whether performances by the glee club on stage or in rehearsal or fantasy musical numbers in the characters' minds, there's plenty of music in every episode. It's fun! (Plus, because I stopped listening to new music somewhere around 1989, it serves as my only insight into what people who aren't stuck in a time warp like myself are listening to.)

That, of course, is the outlandish part. What makes Glee really work is not the music, but its grounding in actual high school life. The characters, despite the fact that they participate regularly in lavish musical numbers, are portrayed as real teenagers with real teenage problems. Without this dose of reality between songs, Glee would probably have crashed and burned after less than a season. But these are characters that the audience can identify with.

Like any high school-based show, the characters are getting older and moving on and, as a result, Glee is losing its focus a bit. But, even so, I has established itself in the ranks of the best high school shows ever made. With songs.--Dave

Erik Griffin: The Culture Brats Interview

If you're a fan of Comedy Central's Workaholics, you're already familiar with Montez Walker. Erik Griffin is the comedian who brings the character to life. We sat down and spoke with him about his upcoming comedy album, his Comedy Central special, his record label, Workaholics, and horror movies.

How are you doing today?
I'm good, just tired. I've been doing a lot of traveling, so it's good to be home for a few days.

I heard you filmed your special for Comedy Central last week in Boston. How did that go?
You know, it went great. I was surprised how many actual fans were in the crowd. I really enjoyed it.

Do you when it'll air yet?
I have no idea. They didn't tell me any info, but I believe it's like the summertime. Probably late summer.

Cool. You recently signed to SideOneDummy and you're the only comedian on the label. What's that like?
I was just really moved by the owner of the label, Joe Sib. His enthusiasm for wanting to do comedy, his watching me a few times, and us having a real heart-to-heart conversation about it. It was like, "This is where I want to be." And what's more punk rock than a comedian being on a punk rock label?

Have you met any of the bands yet?
No, just passing through the office I've seen a couple of them. I've seen the guy from Flogging Molly. I'm down to meet more of them. I want to meet the Restorations because I really want to do a song with them because I want to do some comedy music also.

I've heard Technical Foul: Volume One and I think it's hilarious—--
You don't have to say that because of doing this. You can be honest.

I am being honest. I laughed all the way through it, especially--
That's great! It's really great to hear that because I haven't talked to anybody other than people in the label and the few interviews that I've done, so you're like the fourth or fifth person that's outside the label to hear the album so I'm really glad to hear that you feel that way.

For me, it brought me back to when I was young. It's been so long since I've sat down and listened to a comedy album, but that was something I did when I was a kid. I grew up on Raw and stuff like that.
Yeah, me too. I know exactly what you mean. That's why I did it. I always wanted to do it because when I was a kid, I would listen to comedy albums and they don't really do that anymore. YouTube and everything has taken that away and I was like, "You know what? I still want to do a comedy album."

You're right. You see the Comedy Central shows and YouTube and that's basically it other than just a few artists here and there.
Yeah. I'm trying to bring it back. It's old school, man.

Was it taped during various stops on your tour?
No, I actually did that in one shot at the La Jolla Comedy Store.

How does that work? Do you try to get friends and family to show up?
Nah. We advertised it and just wanted to get fans there, really. Not just friends, but fans because the fans are the ones. They go to comedy shows, they know how to act at a comedy show, and they're going to be more excited to see me. And they were.

How's the PledgeMusic thing going?
That's a new thing. I think I was the first comic on there and it's hard when it says PledgeMusic. It's kind of so-so. Some people did sign up. Some people are excited about it. I think it's a great system and if I was putting out a music album, I would definitely use that again. I would actually still use it again, regardless, now that I know more about it.

Workaholics, in my opinion, is one of the funniest shows on television. Is any of it improvised?
We improvise a little bit, but it's mostly based off the script. It's mostly scripted. It's from the mind of the boys, you know what I mean?

Some of it's pretty out there. Has there ever been a time when they came to you and asked you to do something and you just couldn't do it?
You would think that from the stuff that I've already done, that's already been asked. I trust their comedic sense and everything they've had in there so far: eating boogers, being naked, jumping in the pool. All of the stuff that they've already have has been... interesting.

Who do we have to talk to in order to get Montez on there more often?
Maybe start a Facebook fan page about it or something? I agree completely.



I love how you turned part of the one episode into "My Queen." Could you see yourself doing an entire album of songs?
Yes I do! I would love to do an entire album. I had so much fun making that song and doing that video.

Would you do it straight up or comedic?
It would be comedic because I'm a comedian. I'm a fun guy. I would take it serious, but it would still be fun.

One of my favorite bits on the album was about the scary movies. What are your five favorite horror movies to pop into the DVD player on a date?
I would never do that because I wouldn't want to be at home frightened in front of someone.

But it's one of the four types of movies they love!
If I had to pick five, it would be People Under The Stairs, Pet Sematary, of course Insidious, the movie I talk about.

Right.
Probably The Exorcist III and The Omen. Any of The Omens.

Thanks for taking the time to talk with me for a few minutes and I wish you the best of luck with the album. I think it's great and I think it's going to do very well.
Thank you very much. I really appreciate that.

More Erik Griffin: Official | Facebook | Twitter | PledgeMusic

Oscars 2013: You Asked Seth MacFarlane To Host. And You Were Expecting What, Exactly?

I'm not a big fan of the Academy Awards broadcast. I used to be but somewhere along the line, I simply lost interest. At some point I guess that the list of how I could better spend three and a half hours finally got so long that I couldn't ignore it anymore.

I am, however, a big fan of Seth MacFarlane. I've watched Family Guy since the beginning, and I have been a fan of American Dad since it premiered as well. It took me a season or so to get into The Cleveland Show, but I'm there now. Ted was awesome, and the dialog on the Family Guy pinball machine was so hilarious I had to get one for my arcade. It's freakin' sweet (to borrow a phrase).

So when I saw that Seth MacFarlane was hosting the Oscars this year, I made it a point to watch it... on Hulu the next day. (Come on! Between The Walking Dead and The Amazing Race and the Carolina Hurricanes game, the "better stuff to do" list was still too long to even consider watching the Oscars live.)

I have to say that, for the first time in a long time, the show held my interest. I enjoyed MacFarlane's off-color take on his hosting duties. It was basically the Academy Awards, Family Guy Style. In other words, exactly what I expected it to be. What ANYONE should have expected it to be.

Weird thing is, a lot of people were really freaking upset by MacFarlane's humor. And it wasn't that they were pooh-poohing his immaturity (heh heh... I said "pooh-pooh"). They were going right for the jugular! They called him misogynistic. Amy Richardson of the New Yorker said MacFarlane had "...a specific hostility to women in the workplace."

They railed against him for a Chris Brown/Rihanna joke ("Domestic violence is not a joke!"). They said his song, "We Saw Your Boobs" (a goofy ditty highlighting movies where actresses appeared topless) was joking about rape. He made a joke about Zero Dark Thirty, where Jessica Chastain plays a tenacious agent who spends over a decade hunting down Bin Laden, saying it's a tribute to every "woman's innate ability to never ever let anything go." The response: he's a sexist!

Jeez! Get a sense of humor, people!

I'll be the first to admit that MacFarlane's brand of humor isn't everybody's cup of Pawtucket Patriot, but his work is on display for all to see for an hour and a half every Sunday night. (Or at least the ones on which a bloated, over-produced award show isn't taking over the airwaves.) The producers hired him. They knew what they were doing...

...and what they were doing was boosting ratings. The 2013 Oscars had the highest ratings since 2007, thanks in no small part to the choice of host. It got me to watch (a day late), and I've been bored silly by the Oscars for a very long time.

I spent the afternoon arguing on and off with friends who think that my criticism of the lack of humor exhibited by the MacFarlane critics today was out of line. Some felt that the Academy Awards were a family-oriented broadcast, and thus shouldn't have off-color humor. Others thought that the glamor and dignity of an occasion that celebrates the creativity and achievements of others is marred by MacFarlane's brand of base humor.

I totally disagree.

I don't think the Academy Awards have ever been an all-inclusive, bring the whole family kind of broadcast. We're talking over three hours of speeches and over-long musical and dance performances and stars that can't deliver a punch line properly even when it's written in 100-point type on the teleprompter in front of them. The Oscars are BORING! What kid is going to sit still for that long just to see which animated film won? And do they really care about that anyway?

And, while we're on the subject of family-friendly content, let’s look at some of the films that have taken Best Picture over the years. The Godfather (1 and 2). The Exorcist. Chinatown. A Clockwork Orange. Midnight Cowboy. None of these films are movies that any parent should be letting kids who are too young for Seth MacFarlane's humor to see—yet scenes from these films are shown on the broadcast, and the themes of the films are discussed on the broadcast. These are adult films. Hell, Midnight Cowboy was actually rated X when it was released!

As to the dignity of the occasion, I say that's long gone. The days when the Oscars were a celebration of the glitz and glamor of Hollywood have given way to an Access: Hollywood world. People are more interested in stories about the latest Lindsay Lohan nip slip or drunken car chase, and what (or who) Kim Kardashian is doing than they are about stories of rising starlets who are becoming the darlings of the silver screen.

Whereas a celebrity's fall from grace used to be shocking and something that film fans hated to see, it's now what the masses crave. It's insanely hypocritical to bust Seth MacFarlane for off-color jokes that embarrass stars when the stars so often make themselves the butt of the joke.

Let's face it, folks. The Oscars are just another awards show in a cavalcade of awards shows these days. The demographic that Hollywood is trying to reach with the Academy Award broadcast--and with the movies that are getting all of the awards, for that matter--is, today, the same demographic who will be happy that Family Guy is back with all new episodes next Sunday.

So how about we get off our high horses and give Seth MacFarlane a break? He did exactly what he was expected to do: brought in millions more viewers and gave us an Oscars broadcast laced with his own brand of off-color humor.

Hey, if you really hated it that much, you could have turned on AMC and watched The Walking Dead instead. That's what remote controls are for.

Jeremy Shada: The Culture Brats Interview

On January 24th, Cartoon Network debuted Incredible Crew, a half-hour sketch comedy show produced by Nick Cannon. One of the show's six young stars is Jeremy Shada, who also voices the role of Finn on Cartoon Network's Adventure Time. We were lucky enough to sit down and speak with him about both shows and we even got our kids involved!

Is Incredible Crew improvised at all? Are any of the actors involved with the skit writing or creating?
Most of the show is written but there's some improv'd lines here and there and all the hidden camera bits are improv. None of the actors are involved in the creating or writing of the show, that all comes from our writers and producers.

You're also the voice of Finn on Adventure Time. Which is harder: voice acting or physical acting?
Physical acting is definitely more challenging but in the end there's a lot more reward from a performing standpoint and you're able to do more.

How did you get into voice acting?
I actually started with live action stuff like commercials, movies, and TV shows and then my agent decided to send me out for some voiceover spots. I was pretty good at it and it just kind of evolved from there.

You've had lots of big name guests on Adventure Time. Who were you the most excited about meeting?
That's a hard question but I would have to go with Mark Hamill because honestly, how often do you get to meet a Jedi?

You've performed a few songs so far on Incredible Crew. What was that like? Could you see yourself releasing a CD one day?
Recording songs is a total blast and super fun to do. It's a great experience and I love doing it so like I say with most things, I wouldn't be opposed to maybe doing something like that down the road if the timing and direction is right.

First Look: Hannibal

You may be thinking to yourself... what is this? A new Hannibal movie? Didn't we already have one called Hannibal?

No, this is an upcoming NBC series about the world's most lovable psychopath:

Ranked!: Top 10 Bruce Willis Roles

In honor of the release of A Good Day To Die Hard, we decided to rank our ten favorite Bruce Willis roles:

10. Old Joe, Looper

First, if you haven't seen Looper yet, now is the time. It's one of the most intelligent and thrilling movies of the last year. As you would expect, Bruce Willis is the rock around which story revolves, his trademark mix of melancholia and wit punctuated by bursts of kinetic energy on full display. As Old Joe (to Joseph Gordon-Levitt's Young Joe) he bursts out of the screen and sends his young self--and the audience--on a whirlwind tour of how the decisions we make today impact the people we become tomorrow. It's the type of role Willis has always owned: self-aware, larger-than-life without being campy, and still utterly relatable. The list of actors who can pull that off is short indeed.--CroutonBoy

9. Korben Dallas, The Fifth Element

The Fifth Element is a film that could have very easily sucked. It's over the top, colorful, and has a lot of bad hair and wild costumes. But it's wildly entertaining, in large part thanks to Bruce Willis. He's charming and funny and has great chemistry with Milla Jovovich. He's like the colorful, graphic novel version of Han Solo and I'm OK with that. If anyone should take over the quippy handsome action mantle from Harrison Ford, it's Bruce.--Archphoenix

8. Jimmy "The Tulip" Tudeski, The Whole Nine Yards

Let's face facts: The Whole Nine Yards was not a great film. It's funny. It's cute. But it's not a masterpiece or anything. Nobody played against type: Bruce Willis played the smarmy, cocksure mobster contract killer and Matthew Perry plays the sweaty, unsure dentist. But yeah, I'd watch it again. And that's mostly because of Willis.

And Amanda Peet.--Chris

7. David Addison, Moonlighting

Moonlighting is where it all started, at least for me. The show--about a detective agency about as functionally believable as Ally McBeal's law firm--was supposed to be a showcase for Cybill Shepherd, but for me at least it was the Bruce Willis show. Willis was so funny and clever as David Addison that I was originally shocked when Willis did Die Hard; wasn't he a comedian? Willis took sarcasm to a whole 'nuther level on that show, and that patented smirk has stayed with him throughout his career. If you can find it, I highly recommend going back and finding the "Taming Of The Shrew" episode... Comic gold.--CroutonBoy

6. Dr. Malcolm Crowe, The Sixth Sense

I saw The Sixth Sense on a rainy afternoon at the Mall of America in Minneapolis. Two hours later, I went back and saw it again. Haley Joel Osment and the legendary twist ending are what people tend to remember, but Bruce Willis played Dr. Crowe masterfully. There was no shooting or sarcasm to be had in that role, just a man struggling to connect with his wife, help his patients, and understand why he was struggling so hard at both. I loved his performance, which like his character was at the center of the story yet somehow apart. It's a film that demands repeated viewings, and Bruce Willis is a big reason why.--CroutonBoy

5. Harry Stamper, Armageddon

Armageddon is pure explosions and cheese, one of the world's greatest bad movies. I know you've seen it, but just think about the plot: a group of guys who work on an oil rig become astronauts so they can go into space, land on an asteroid, and blow it up. Um, yeah.

But like most of the films on this list, Bruce Willis makes the movie. He plays the gruff dad who doesn't want his daughter marrying someone like him. But in the end, he realizes that his daughter really does love Affleck, and decides to save him and the rest of mankind.

Sniff.--Chris

4. James Cole, 12 Monkeys

12 Monkeys kind of starts off like it's going to be your usual Bruce Willis shoot 'em up film. And then it takes a weird left turn into Crazytown. Directed by Terry Gilliam, the film is a fantastically demented time trip of a sci-fi film and Bruce really pulls it off, the porn star mustache included. Brad Pitt got an Oscar nomination for his work in this film, and that's warranted. But I would argue that Pitt's performance wouldn't have worked without Willis's rock solid performance to reflect off of. It's an interesting flick and it reminded me that Willis actually has some serious acting chops when he decides to pull them out and use them. I love quippy action Willis, but serious Willis? He's a force to be reckoned with.--Archphoenix

3. David Dunn, Unbreakable

I think Unbreakable is a vastly underrated film. It's a superhero origin film before those were in vogue. And, more importantly, nobody knew it WAS a superhero film until it came out. So it was fun to watch the story unfold. But equally compelling as the fresh take on an old genre is Bruce's performance. After years of doing really loud films like Die Hard, it was refreshing to see him take on something... quieter. Because it's a very quiet and understated bit of acting he does in the film. He is vulnerable and interesting and, in my opinion, it is some of Bruce's best work.--Archphoenix

2. Butch Coolidge, Pulp Fiction

There's no doubt that Bruce Willis is a guy who likes to be in the spotlight. He is also dead certain that movies in which he is a top-billed character will succeed wildly, regardless of whether he brings his A-game to the role.

Given this, Willis's roles in Quentin Tarantino films are anomalies. Many (like his role in the fourth story in Four Rooms) are uncredited. And even those that are credited tend to be secondary or, at most, ensemble roles.

Butch, the worn out boxer who refuses to take a dive in Pulp Fiction, is one of the more fleshed-out of the bunch. He's actually only in about a quarter of the movie, but he makes a definite impression. Like John McClane, Butch is an everyman character. You don't realize it at first. When he wearily accepts a sizable bribe from Marcellus to take a dive in his last fight, you figure he's just another crook in a movie in which pretty much every character is, to some extent, a crook. The weird thing is that, in the end, Butch is one of only a couple characters in the film who turns out to be a stand-up guy. Sure, he steals from Marcellus--but he kind of balances that out in the end. And, yeah, he offs Vincent--but Vincent really had it coming. Alright...he also stole Zed's chopper. But Zed was dead, baby. Zed was dead.

Honestly, as I reflect on it, I think Butch Coolidge might well be one of the best roles Willis has ever played. He managed to reign in his cockiness and deliver a solid performance that really grounds the whole film.--Dave

1. John McClane, the Die Hard franchise

Die Hard was the movie that made me not hate Bruce Willis. After watching only a few episodes of Moonlighting, I made the firm decision to never watch anything starring that smarmy SOB. I know that at least some of that impression was of David Addison... but, after reading Kevin Smith's book Tough Sh*t--a good read, by the way--I know that there was a lot of Bruce Willis in David Addison's dickish persona.

Willis's portrayal of John McClane managed to transcend that, however. McClane (at least in the first two movies) was the "everyman" hero--a guy in the wrong place at the wrong time who has to do some amazingly dangerous stuff to get out of the situation alive. There's definitely some of that cocksure David Addison-ness in McClane, but it's organic to the story and takes a back seat to the desperation. And the violence, of course.

Not that my movie dollars could have a noticeable effect on Bruce Willis's bottom line... but he should be thanking John McClane. Without that character, I would have happily boycotted Bruce Willis for life. Or, at least, until I became a Quentin Tarantino fan.--Dave

Recycle your old Bruce Willis movies (and any others you don't watch anymore) at musicMagpie, where you can exchange your old DVDs, CDs, and video games for cash! This is great if you are upgrading to Blu-Ray for those extra effects, and have a load of unwanted DVDs leftover, as whilst making some cash you are also recycling your products.

And The Best Super Bowl Commercial Was...

Okay. This wasn't really my favorite commercial. But it did seriously get me psyched for the rest of Season 3 of The Walking Dead!



What was your favorite commercial?